Filmmakers with poetry in their heart are quickly selling that impulse to the highest bidder, transitioning to soulless franchises and flavorless would-be blockbusters. But here’s the thing - the mere fact that failure never deterred him is why he’s perhaps the most vital young filmmaker currently working in Hollywood, a place where artistic expression is losing the battle to corporate concerns. He figured audiences and critics wouldn’t get it. Starring: Joaquin Phoenix, Armen Nahapetian, Patti LuPoneĪri Aster always knew “Beau is Afraid” would flop. I try, through my architecture, to develop places that bring people together and put them at ease.”ĭUBAI: From Saudi Arabia’s first homegrown blockbuster to some great franchise follow-ups, William Mullally presents the best movies of the last six months “When we talk about humanism, there’s a sense of respect. Ghotmeh’s architectural practice was once described as “humanist” - acting as a meeting place for people. There needs to be integration with the people.” She hopes to see “more specificity to the places where we construct, and (deeper) relations with the people who inhabit these places. Ghotmeh believes that “beauty is a necessity,” and aims to implement that belief in her work. She currently has a number of projects (including a sophisticated hotel in the verdant countryside and a public art collection) planned in her homeland as an “act of reconciliation.” But, she said, archaeology is about “digging up the past” and she wanted to look to the future. She actually studied archaeology at the American University of Beirut. The violent destruction she witnessed as a child pushed her into the optimistic act of building things. “You start to find creative ways to occupy yourself and to make joy out of a crazy situation,” she said. So, that touched me very much.”Ī post shared by Lina Ghotmeh-Architecture such times, she sparked her imagination by, for instance, playing with light - a crucial factor in her work today. Being close to nature is very much needed in today’s society. “I visited elementary schools and spoke to children and looked at how they related to their environment. “What surprised me was the maturity of the people living there, especially the kids,” she said. She noticed how attached they were to the Arabic language and to nature. Ghotmeh conducted workshops to gain a better understanding of the place, its people, and their customs. The Serpentine Pavilion in London, designed by Lina Ghotmeh. What is really impressive is the rich and beautiful horizon that the desert offers and the multiplicity of views it is able to bring. “You’re in a place where time is suspended. “Going there the first time was quite overwhelming,” she recalled. When Ghotmeh visited AlUla, she was captivated by its golden light, giant ancient tombs, and the varied textures of its landscape. I feel like it will play a great role in the region and in AlUla.” “It’s such a wonderful place and I’m very happy to be able to develop this museum. “I got really attached to AlUla,” Ghotmeh told Arab News. In May, it was announced that LGA had been awarded the contract. But the location of her latest project is a first for her, in the austere beauty of AlUla.Īt the end of last year, her firm, Lina Ghotmeh - Architecture, was invited to bid to design and build a contemporary art museum in the ancient oasis city in the northwest of Saudi Arabia. DUBAI: Award-winning Lebanese architect Lina Ghotmeh has designed buildings and spaces across the world, from the UK to Finland and Lebanon to Japan.
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